Inspiration is what drives all of us to get up in the morning. It’s a form of self motivation. To be inspired is to dream and to want to change the world in some small way.
All creative thinkers will fondly remember the moments they felt really inspired as art students. Especially through the discovery of another artist, whose work directly influences your own work. It’s a rewarding part of the creative process. In my own case, inspiration is not confined to any particular niche, nook or cranny. It’s derived from all walks of life. It’s based on a methodology of eclecticism. Sometimes my inspiration is quite literal in the form of an object or an environment and how it makes me feel. Other times it might be reading a manuscript printed by a 1960’s typewriter. A la, William S. Burroughs.
The purpose of allocating 1 grid square of this website to the subject of Inspiration, is to acknowledge its roles as a critical part of the creative process. It’s also to share an image that currently inspires me, together with a short explanatory description. This was intended to be a slowly evolving showcase that I would update and replace from time to time. Not dissimilar to Eno Goldfinger’s carefully curated art wall at his home in 2 Willow road. Do go and see it if you’ve never been. It’s wonderful…
However I love this image and Marti so much, I decided to leave it there permanently. It’s a digital reproduction of a gelatin silver print of 2 ceramic jugs thrown by NZ potter Barry Brickell and photographed by my late pen pal and friend Marti Freidlander. Marti the incredibly talented NZ photographer. Marti had a unique eye and charisma and is highly decorated in New Zealand. I think of her as an artist and I admired her greatly. Not just for her extreme talent and passion as a photographer, but because she was incredibly generous, brave and thoughtful, with a zest for life that made her really fun and charismatic to be around. I suspect this image was taken circa 1974. I can somehow sense this, even though there is very little to date the photograph.
I love the tactile quality of the jugs and the suggestion of a finished work still in progress. The slightly forward tool drawer. It draws an emotive reaction, suggesting a craftsman of refined skill and knowledge. A craftsman who has mastered their craft and able to freely communicate their artform with their own two hands. The light passing through the glass window pane provides a suitable sensitivity, which gives the jugs a sense of provenance and title. The angle of the interlocking handles makes them appear almost entwined. It inspires me to learn to throw pottery and I smile imagining the conversation between Marti and Barry on that most creative day.